. A zombie (: zombi,: zonbi) is a fictional being created through the reanimation of a human. Zombies are most commonly found in and genre works.
The term comes from, where a zombie is a dead body reanimated through various methods, most commonly. Modern depictions of zombies do not necessarily involve magic but often invoke methods such as, mental diseases, scientific accidents, etc. The word 'zombie' is first recorded in 1819, in a history of by the poet, in the form of 'zombi'. The gives the origin of the word as West African, and compares it to the words nzambi (god) and zumbi. One of the first books to expose Western culture to the concept of the voodoo zombie was The Magic Island by in 1929. This is the sensationalized account of a narrator who encounters cults in and their resurrected thralls. Claimed that the book 'introduced 'zombi' into U.S.
Zombies have a complex literary heritage, with antecedents ranging from and to 's drawing on European folklore of the. In 1932, directed, a horror film starring. Here zombies are depicted as mindless, unthinking henchmen under the spell of an evil magician. Zombies, often still using this voodoo-inspired rationale, were initially uncommon in cinema, but their appearances continued sporadically through the 1930s to the 1960s, with notable films including (1943) and (1959). A new version of the zombie, distinct from that described in Haitian folklore, has also emerged in popular culture during the latter half of the twentieth century.
This 'zombie' is taken largely from 's seminal film, which was in turn partly inspired by 's 1954 novel. The word zombie is not used in Night of the Living Dead but was applied later by fans. The monsters in the film and its sequels, such as and, as well as its many inspired works, such as and, are usually hungry for human flesh, although Return of the Living Dead introduced the popular concept of zombies eating brains. The ' concept, in which the civilized world is brought low by a global zombie infestation, became a staple of modern popular art.
Contents. Etymology The word 'zombie' is first recorded in 1819, in a history of by the poet, in the form of 'zombi', actually referring to the Afro-Brazilian rebel leader named and the etymology of his name in 'nzambi'. The gives the origin of the word as West African and compares it to the words 'nzambi' (god) and 'zumbi' (fetish). In, a zombie (: zombi,: zonbi) is an raised by magical means, such as. The concept has been popularly associated with the, but it plays no part in that faith's formal practices.
How the creatures in contemporary zombie films came to be called 'zombies' is not fully clear. The film Night of the Living Dead made no spoken reference to its undead antagonists as 'zombies', describing them instead as ' (though ghouls, which derive from Arabic folklore, are demons, not undead).
Although George Romero used the term 'ghoul' in his original scripts, in later interviews he used the term 'zombie'. The word 'zombie' is used exclusively by Romero in his 1978 script for his sequel, including once in dialog. According to George Romero, film critics were influential in associating the term 'zombie' to his creatures, and especially the French magazine '. He eventually accepted this linkage, even though he remained convinced at the time that 'zombies' corresponded to the undead slaves of Haitian voodoo as depicted in 's.
Folk beliefs Haitian tradition. A depiction of a zombie, at twilight, in a field of sugar cane. Zombies are featured widely in Haitian rural folklore as dead persons physically revived by the act of of a, a sorcerer or witch. The bokor is opposed by the or priest and the or priestess of the formal.
A zombie remains under the control of the bokor as a personal slave, having no will of its own. The Haitian tradition also includes an incorporeal type of zombie, the 'zombie ', which is a part of the human. A bokor can capture a zombie astral to enhance his spiritual power. A zombie astral can also be sealed inside a specially decorated bottle by a bokor and sold to a client to bring luck, healing or business success. It is believed that God eventually will reclaim the zombie's soul, so the zombie is a temporary spiritual entity. It has been suggested that the two types of zombie reflect, a. Each type of legendary zombie is therefore missing one half of its soul (the flesh or the spirit).
The zombie belief has its roots in traditions brought to Haiti by enslaved Africans, and their subsequent experiences in the New World. It was thought that the voodoo deity would gather them from their grave to bring them to a heavenly afterlife in Africa ('), unless they had offended him in some way, in which case they would be forever a slave after death, as a zombie. A zombie could also be saved. A number of scholars have pointed out the significance of the zombie figure as a metaphor for the history of. While most scholars have associated the Haitian zombie with African cultures, a connection has also been suggested to the island's indigenous, partly based on an early account of native practices written by the Hieronymite monk, a companion of. The Haitian zombie phenomenon first attracted widespread international attention during the (1915–1934), when a number of of purported 'zombies' began to emerge. The first popular book covering the topics was 's The Magic Island (1929).
Seabrooke cited Article 246 of the Haitian which was passed in 1864, asserting that it was an official recognition of zombies. This passage was later used in promotional materials for the 1932 film. Also shall be qualified as attempted murder the employment which may be made by any person of substances which, without causing actual death, produce a lethargic coma more or less prolonged. If, after the administering of such substances, the person has been buried, the act shall be considered murder no matter what result follows.
In 1937, while researching in Haiti, encountered the case of a woman who appeared in a village. A family claimed she was Felicia Felix-Mentor, a relative who had died and been buried in 1907 at the age of 29. The woman was examined by a doctor; X-rays indicated that she did not have a leg fracture that Felix-Mentor was known to have had. Hurston pursued rumors that affected persons were given a powerful, but she was unable to locate individuals willing to offer much information.
She wrote, 'What is more, if science ever gets to the bottom of Vodou in Haiti and Africa, it will be found that some important medical secrets, still unknown to medical science, give it its power, rather than gestures of ceremony.' African and related legends A Central or West African origin for the Haitian zombie has been postulated based on two etymologies in the, nzambi ('god') and zumbi ('). This root helps form the names of several deities, including the Kongo creator deity and the Louisiana serpent deity (a local version of the Haitian ), but it is in fact a generic word for a divine spirit.
The common African conception of beings under these names is more similar to the incorporeal 'zombie astral', as in the Kongo spirits. A related, but also often incorporeal, undead being is the of the, considered to be of the same etymology; in the also, local 'zombies' are recognized, but these are of a more general spirit nature.
The idea of physical zombie-like creatures is present in some South African cultures, where they are called xidachane in / and maduxwane in. In some communities, it is believed that a dead person can be zombified by a small child. It is said that the spell can be broken by a powerful enough.
It is also believed in some areas of South Africa that can zombify a person by killing and possessing the victim's body in order to force it into slave labor. After rail lines were built to transport migrant workers, stories emerged about 'witch trains'.
These trains appeared ordinary, but were staffed by zombified workers controlled by a witch. The trains would abduct a person boarding at night, and the person would then either be turned into a zombified worker, or beaten and thrown from the train a distance away from the original location. Origins of zombie beliefs Chemical hypothesis Several decades after Hurston's work, a Harvard, presented a pharmacological case for zombies in a 1983 paper in the, and later in two popular books, (1985) and Passage of Darkness: The Ethnobiology of the Haitian Zombie (1988). Davis traveled to Haiti in 1982 and, as a result of his investigations, claimed that a living person can be turned into a zombie by two special powders being introduced into the blood stream (usually via a wound).
The first, coup de poudre (French: 'powder strike'), includes (TTX), a powerful and frequently fatal neurotoxin found in the flesh of the (order Tetraodontidae). The second powder consists of such as.
Together, these powders were said to induce a deathlike state in which the will of the victim would be entirely subjected to that of the bokor. Davis also popularized the story of, who was claimed to have succumbed to this practice. The most ethically questioned and least scientifically explored ingredient of the powders, is part of a recently buried child's brain. The process described by Davis was an initial state of deathlike, followed by re-awakening — typically after being buried — into a psychotic state. The psychosis induced by the drug and was by Davis to reinforce culturally learned beliefs and to cause the individual to reconstruct their identity as that of a zombie, since they 'knew' they were dead, and had no other role to play in the Haitian society. Societal reinforcement of the belief was hypothesized by Davis to confirm for the zombie individual the zombie state, and such individuals were known to hang around in graveyards, exhibiting attitudes of low affect.
Davis's claim has been criticized, particularly the suggestion that Haitian witch doctors can keep 'zombies' in a state of pharmacologically induced trance for many years. Symptoms of range from numbness and nausea to paralysis — particularly of the muscles of the diaphragm — unconsciousness, and death, but do not include a stiffened gait or a deathlike trance. According to psychologist, the scientific community dismisses tetrodotoxin as the cause of this state, and Davis' assessment of the nature of the reports of Haitian zombies is viewed as overly credulous. Social hypothesis Scottish psychiatrist highlighted the link between social and cultural expectations and compulsion, in the context of and other mental illness, suggesting that schizogenesis may account for some of the psychological aspects of zombification. Particularly, this suggests cases where schizophrenia manifests a state of., professor of anthropology and psychiatry, published a study supporting a social explanation of the zombie phenomenon in the medical journal in 1997. The social explanation sees observed cases of people identified as zombies as a, with a practiced in Haiti that unites the with grieving families who see them as their 'returned' lost loved ones, as Littlewood summarizes his findings in an article in: I came to the conclusion that although it is unlikely that there is a single explanation for all cases where zombies are recognised by locals in Haiti, the mistaken identification of a wandering mentally ill stranger by bereaved relatives is the most likely explanation in many cases.
People with a chronic schizophrenic illness, brain damage or learning disability are not uncommon in rural Haiti, and they would be particularly likely to be identified as zombies. Evolution of the zombie archetype Pulliam and Fonseca (2014) and Walz (2006) trace the zombie lineage back to ancient. In the Descent of Ishtar, the goddess threatens: If you do not open the gate for me to come in, I shall smash the door and shatter the bolt, I shall smash the doorpost and overturn the doors, I shall raise up the dead and they shall eat the living: And the dead shall outnumber the living! She repeats this same threat in a slightly modified form in the. The actor as Frankenstein's Monster in an 1823 stage production of the novel by, while not a zombie novel in particular, prefigures many 20th-century ideas about zombies in that the resurrection of the dead is portrayed as a scientific process rather than a mystical one, and that the resurrected dead are degraded and more violent than their living selves. Frankenstein, published in 1818, has its roots in European folklore, whose tales of vengeful dead also informed the evolution of the modern conception of the. Later notable 19th-century stories about the avenging undead included 's ', and various tales.
Though their works could not be properly considered zombie fiction, the supernatural tales of Bierce and Poe would prove influential on later writers such as, by Lovecraft's own admission. In the 1920s and early 1930s, the American horror author H. Lovecraft wrote several that explored the undead theme. ', ', and ' all deal with the undead, but Lovecraft's (1921) 'helped define zombies in popular culture'. This series of short stories featured, a who attempts to revive human corpses with mixed results.
Notably, the resurrected dead are uncontrollable, mostly mute, primitive and extremely violent; though they are not referred to as zombies, their portrayal was prescient, anticipating the modern conception of zombies by several decades. similarly depicted animated corpses in the of his, again without ever using the terms 'zombie' or 'undead'.
Avenging zombies would feature prominently in the early 1950s, which would later claim as an influence. The comics, including, Vault of Horror and Weird Science, featured avenging undead in the Gothic tradition quite regularly, including adaptations of Lovecraft's stories, which included 'In the Vault', 'Cool Air' and Herbert West–Reanimator. 's 1954 novel, although classified as a vampire story would nonetheless have definitive impact on the zombie genre by way of. The novel and its 1964 film adaptation, which concern a lone human survivor waging war against a world of vampires, would by Romero's own admission greatly influence his 1968 low-budget film; a work that would prove to be more influential on the concept of zombies than any literary or cinematic work before it. See also: Films featuring zombies have been a part of cinema since the 1930s, with (directed by in 1932) being one of the earliest examples.
With (1968), the zombie trope began to be increasingly linked to consumerism and consumer culture. Today, zombie films are released with such regularity (at least 55 titles were released in 2014 alone ) that they can be viewed as a separate subgenre of. Voodoo-related zombie themes have also appeared in espionage or adventure themed works outside the horror genre. For example, the original ' series (1964) and the novel and movie both feature Caribbean villains who falsely claim the voodoo power of zombification in order to keep others in fear of them. Romero and the modern zombie film. A young zombie (Kyra Schon) feeding on human flesh, from Night of the Living Dead (1968) The modern conception of the zombie owes itself almost entirely to 's 1968 film.
In his films, Romero 'bred the zombie with the vampire, and what he got was the hybrid vigour of a ghoulish plague monster'. This entailed an apocalyptic vision of monsters that have come to be known as. Of the chided theater owners and parents who allowed children access to the film. 'I don't think the younger kids really knew what hit them,' complained Ebert. 'They were used to going to movies, sure, and they'd seen some horror movies before, sure, but this was something else.' According to Ebert, the film affected the audience immediately: 'The kids in the audience were stunned. There was almost complete silence.
The movie had stopped being delightfully scary about halfway through, and had become unexpectedly terrifying. There was a little girl across the aisle from me, maybe nine years old, who was sitting very still in her seat and crying.' Romero's reinvention of zombies is notable in terms of its thematics; he used zombies not just for their own sake, but as a vehicle 'to criticize real-world social ills—such as government ineptitude, bioengineering, slavery, greed and exploitation—while indulging our post-apocalyptic fantasies'.
Night was the first of six films in Romero's. Its first sequel, was released in 1978. 's was released just months after Dawn of the Dead as an ersatz sequel ( Dawn of the Dead was released in several other countries as Zombi or Zombie).
1980s and 1990s The 1981 film referenced a mutagenic gas as a source of zombie contagion: an idea also used in 's 1985 film. Return of the Living Dead featured zombies that hungered specifically for brains. The mid-1980s produced few zombie films of note. Perhaps the most notable entry, series, while highly influential are not technically zombie films but films about, despite the presence of the undead.
1985's, loosely based on the Lovecraft story, stood out in the genre, achieving nearly unanimous critical acclaim, and becoming a modest success, nearly outstripping Romero's for box office returns. After the mid-1980s, the subgenre was mostly relegated to the underground. Notable entries include director ultra-gory film (1992) (released as Dead Alive in the U.S.), comic 1993 film where a self-aware high school boy returns to profess his love for a girl and his love for human flesh, and Michele Soavi's (1994) (released as Cemetery Man in the U.S.).
Several years later, zombies experienced a renaissance in low-budget Asian cinema, with a sudden spate of dissimilar entries including (1998), (1999), (1999), (2000) and (2001). 2000s and 2010s Japanese zombie films There are not many Japanese films related to what may be considered in the West as a zombie film.
Early films such as features little gore and no cannibalism but is about the dead returning to life looking for love rather than a story of apocalyptic destruction. The zombie themed video game (1996) was released to sales of 24 million copies worldwide. Most Japanese zombie films emerged in the wake of Resident Evil, such as, all from 2000. The zombies film released after Resident Evil behave similarly to the Zombie films of the 1970s. Western zombie films The turn of the millennium coincided with a decade of box-office successes in which the zombie subgenre experienced a resurgence: the movies (2002, 2004, 2007, 2010, 2012, 2016), the British films and (2002, 2007), the (2004) and the comedies (2004) and (2008). The new interest allowed Romero to create the fourth entry in his zombie series:, released in the summer of 2005.
Romero returned to the series with the films (2008) and (2010). Generally, the zombies in these shows are the first made popular in Night of the Living Dead. Motion pictures created within the 2000s, however, like the, and, have featured zombies that are more agile, vicious, intelligent, and stronger than the traditional zombie. An alternate take on the zombie was 2013's film (and book), where the zombie has consciousness and some intelligence. In 2013, the series had the highest audience ratings in the United States for any show on broadcast or cable with an average of 5.6 million viewers in the 18- to 49-year-old demographic. Zombie apocalypse.
Main article: Intimately tied to the concept of the modern zombie is the 'zombie apocalypse'; the breakdown of society as a result of an initial zombie outbreak that spreads. This has emerged as a prolific subgenre of and has been portrayed in many zombie-related media after Night of the Living Dead. In a zombie apocalypse, a widespread (usually global) rise of zombies hostile to human life engages in a general assault on civilization. Victims of zombies may become zombies themselves. This causes the outbreak to become an exponentially growing crisis: the spreading phenomenon swamps normal military and law enforcement organizations, leading to the panicked collapse of civilized society until only isolated pockets of survivors remain, scavenging for food and supplies in a world reduced to a pre-industrial hostile wilderness. Possible causes for zombie behavior in a modern population can be attributed to viruses, bacteria or other phenomena that reduce the mental capacity of humans causing them to behave in a very primitive and destructive fashion. Subtext The usual subtext of the zombie apocalypse is that civilization is inherently vulnerable to the unexpected, and that.
The narrative of a zombie apocalypse carries strong connections to the turbulent social landscape of the United States in the 1960s, when Night of the Living Dead provided an indirect commentary on the dangers of conformity, a theme also explored in the novel (1954) and associated film (1956). Many also feel that zombies allow people to deal with their own anxieties about the end of the world. One scholar concluded that 'more than any other monster, zombies are fully and literally apocalyptic. They signal the end of the world as we have known it.' While zombie apocalypse scenarios are secular, they follow a religious pattern based on Christian ideas of an end-times war and messiah. Due to a large number of thematic films and video games, the idea of a zombie apocalypse has entered the mainstream, and many fans have begun making efforts to prepare for the hypothetical future zombie apocalypse.
Such efforts include creating weapons and selling educational material informing people how to survive a zombie outbreak; while most of these are tongue-in-cheek and do not represent an authentic belief that a zombie apocalypse in the near future is likely, to demonstrate survival and emergency-preparedness techniques that may be useful in a 'real-world' setting. Story elements. Portrays a zombie in. Initial contacts with zombies are extremely dangerous and traumatic, causing shock, panic, disbelief and possibly denial, hampering survivors' ability to deal with hostile encounters. The response of authorities to the threat is slower than its rate of growth, giving the zombie plague time to expand beyond containment.
This results in the collapse of the given society. Zombies take full control, while small groups of the living must fight for their survival. The stories usually follow a single group of survivors, caught up in the sudden rush of the crisis. The narrative generally progresses from the onset of the zombie plague, then initial attempts to seek the aid of authorities, the failure of those authorities, through to the sudden catastrophic collapse of all large-scale organization and the characters' subsequent attempts to survive on their own. Such stories are often squarely focused on the way their characters react to such an extreme catastrophe, and how their personalities are changed by the stress, often acting on more primal motivations (fear, self-preservation) than they would display in normal life.
Movie poster for the 1968 film Night of the Living Dead In anime and manga There has been a growth in the number of zombie in the last decade, and in a list of '10 Great Zombie Manga', 's Jason Thompson placed at number 1, considering it 'probably the greatest zombie manga ever'. In second place was Living Corpse and in third, which he called 'the greatest science-fiction virus zombie manga ever'. Was adapted into a film in 2014.
In art Artist has made several works of video art involving zombies, and exhibited them in her 2006 show, 'Horror Make-Up,' which debuted on 8 September 2006 at Art Moving Projects, a gallery in Williamsburg, Brooklyn. Artist Karim Charredib has dedicated his work to the zombie figure. In 2007, he made a video installation at villa Savoye called 'Them!!!' Where zombies walked in the villa like tourists. See also: and Zombies are a popular theme for video games, particularly of, but not limited to, the, and genres. Important horror fiction media franchises in this area include, and the Zombies game modes from title series.
', a humorous game, was an hit in 2009, featuring in several best-of lists at the end of that year. The, a free grid-based browser game where zombies and survivors fight for control of a ruined city, is one of the most popular games of its type., a zombie-based for, was responsible for over 300,000 unit sales of its parent game within two months of its release.
Over a year later, the developers of the mod created a of the same game, which currently is in early-access on, and so far it has sold 3 million copies since its release in December 2013 Romero would later opine that he believes that much of the 21st century obsessions with Zombies can be traced more towards video games than films, Noting that it wasn't until the 2009 film that a Zombie film was able to grose more the 100 million. Outside of video games, zombies frequently appear in, such as or (which even has a Zombie-Type for its 'monsters'), as well as in role-playing games, such as, such as and, and tabletop wargames, such as and. The game is a zombie-themed played on college campuses. In government media.
Main article: On 18 May 2011, the United States' (CDC) published a graphic novel, Preparedness 101: Zombie Apocalypse providing tips to survive a zombie invasion as a 'fun new way of teaching the importance of emergency preparedness'. The CDC goes on to summarize cultural references to a zombie apocalypse. It uses these to underscore the value of laying in water, food, medical supplies, and other necessities in preparation for any and all potential disasters, be they hurricanes, earthquakes, tornadoes, floods, or hordes of zombies. On 17 October 2011, in the United States published an article, 'How To Weather the Zombie Apocalypse', that included a fictional interview with a Director of Research at the CDD, the 'Center for Disease Development'.
Questions answered include 'How does the temperature affect zombies' abilities? Do they run faster in warmer temperatures? Do they freeze if it gets too cold?' In 2011, the US government drafted, a real plan detailing a strategy to defend against a zombie attack. In merchandise Many companies from around the world have also put strong focus on creating products geared towards the 'zombie' culture.
This list includes a company in California, Harcos Labs, that sells bagged Zombie Blood and Zombie Jerky in specimen style pouches; In music 's music video (1983), in which he dances with a troop of zombies, has been preserved as a cultural treasure by the Library of Congress'. Many pop culture media have paid tribute to this video, such as a gathering of 14,000 university students dressed as zombies in Mexico City, and 1500 prisoners in orange jumpsuits recreating the zombie dance in. The hip hop trio incorporate many tropes from zombie fiction and play on the theme of a zombie apocalypse in their music. They portray themselves as 'living dead', describing their use of such as and as having caused them to experience and rebirth.
In print and literature. See also: In the 1990s, zombie fiction emerged as a distinct literary subgenre, with the publication of (1990) and its follow-up Still Dead: Book of the Dead 2 (1992), both edited by horror authors and Craig Spector. Featuring Romero-inspired stories from the likes of, the Book of the Dead compilations are regarded as influential in the horror genre and perhaps the first true 'zombie literature'. Horror novelist has written about zombies including his short story ' (1990) and his novel (2006) concerning a struggling young artist on a trek from Boston to in hopes of saving his family from a possible worldwide outbreak of zombie-like maniacs.
's novel (2006) became a. Brooks had previously authored (2003), a zombie-themed parody of pop-fiction survival guides published in 2003. Brooks has said that zombies are so popular because 'Other monsters may threaten individual humans, but the living dead threaten the entire human race. Zombies are slate wipers.' 's mashup novel (2009) combines the full text of 's (1813) with a story about a zombie epidemic within the novel's period setting. In 2009, Katy Hershbereger of stated 'In the world of traditional horror, nothing is more popular right now than zombies. The living dead are here to stay.'
In social activism. Main articles: and The zombie also appears as a metaphor in protest songs, symbolizing mindless adherence to authority, particularly in law enforcement and the armed forces. Well-known examples include 's 1976 album, and ' 1994 single '. Organized have been staged, either as performance art or as part of protests that parody political extremism or apathy.
A variation of the zombie walk is the zombie run. Here participants do a wearing a belt with several flag 'lives'. If the chasing zombies capture all of the flags the runner becomes 'infected'.
If he or she reaches the finish line—which may involve wide detours—ahead of the zombies the participant is a 'survivor'. In either case an appropriate participation medal is awarded. In theoretical academic papers Researchers have used theoretical zombie infections to test epidemiology modeling. One study found that all humans end up turned or dead. This is because the main epidemiological risk of zombies, besides the difficulties of neutralizing them, is that their population just keeps increasing; generations of humans merely 'surviving' still have a tendency to feed zombie populations, resulting in gross outnumbering.
The researchers explain that their methods of modelling may be applicable to the spread of political views or diseases with dormant infection. Adam Chodorow of the at investigated the and implications of a zombie apocalypse under and state tax codes.
Neuroscientists Bradley Voytek and Timothy Verstynen have built a side career in extrapolating how ideas in neuroscience would theoretically apply to zombie brains. Their work has been featured in Forbes, New York Magazine, and other publications. As a in Researchers use the term “zombie centriole” to describe the that a (a sub cellular) that is degenerated (i.e.
Dead) start to function. See also Wikimedia Commons has media related to. (a combination of 'smartphone' and 'zombie'). a fungus that creates so-called 'zombie ants' or more generally, References.
Beyond Re Animator Full Movie Free Download
Quotes: Once the world was green, and livin'. Then was the great Nuke. Death lived everywhere.
All were born sick and unclean. A livin' curse from the Americans and Commies. Then one day, a baby was born. Clean, and clear. And the livin' curse was over. The child grew strong and beautiful, and she was called WOMAN. Woman taught her children to follow the Tiara and obey the regs, and the earth lived again.
But some disobeyed the regs, and from them came the children of darkness and disease. While America 3000 MAY be one of the ALLTIME grade-Z movies, a great deal of comments made by the other person to review this film are wrong. First off, the hairstyles. Since the film takes place 900 years AFTER World War III, and in the radioactive wild of Colorado, how could anybody be 'suffering from 'bad '80's style haircuts?' The hair is typical of a bunch of people stuck in the wild, with the intelligence of a lower primate with no vanity. Just wild, unkenmpt hair.
Specifically, mine. I played Young Korvis, (the good looking one.) The film is narrated by Mr. William Wallace, who plays my grown up sidekick, Gruss. It could have been worse. Chuck Wagner of TV's 'AutoMan' (who's a GREAT guy, if you ever get a chance to meet him) could've narrated, which would have been a mistake. While he has physical presence, vocally, he may be lacking. And this is odd, considering the amount of stage he's done before and since this film.
Compared to the last Mad Max film, this movie is downright inspirational, even if filmed on a 3 million dollar budget. The Director (David Englebach) went on to develop 'Over the Top' with Sly Stallone.
Yeah, I barfed too, but it wasn't half bad. Last comment (since this is hardly a review, but more of a defense of a terrible flick.) This movie never made it to MST3K.I checked. What am I doing now? I shoot music videos for up and coming rock bands. If you're in the Los Angeles Area Friday, march 5 2004, come to Johnny Foxx's, and see Flying Venus, the hottest group from Northern California destined to become the next big thing.
That's what us grade Z actors are doing now. And the winner is.
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Contents. List of games. Zanma Taisei Demonbane ( 斬魔大聖デモンベイン, Zanma Taisei Demonbein) Also known as Deus Machina Demonbane. The first of the series published on April 25, 2003, the title loosely translates to 'Demon-Slaying Grand Saint Demonbane'. Kishin Houkou Demonbane ( 機神咆吼デモンベイン, Kishin Hōkō Demonbein) The PlayStation 2 port of the original, published on July 1, 2004, the title loosely translates to 'Roar of the Machine God Demonbane'. Both the anime and the manga adaptations are based under this title, as well as using it in their adaptations. The game was also bundled with a one-episode.
Kishin Hishou Demonbane ( 機神飛翔デモンベイン, Kishin Hishō Demonbein) A direct sequel to Zanma Taisei Demonbane, the title loosely translates to 'Flight of the Machine God Demonbane'. Unlike the original, players can control the actions of the titular machine Demonbane in battle. Azathoth-D ( 字祷子D-妖都最速伝説, Azatōsu-Dī: Yōto Saisoku Densetsu) A spin-off racing game released at the 70th, the title is a parody on the popular racing manga. Released for the, the anime version of Demonbane appears alongside many mecha from other franchises in this crossover title. Plot Kurou Daijuuji is a poor detective living in Arkham City. One day, he was requested by Ruri Hadou of Hadou Financial Group, to search for a magic book.
While he initially refused, Ruri offered him a large sum of money upon completion of her request, in which bribed Kurou to accept. As Kurou searches for the book, he unexpectedly runs into Al, a pretty girl that is actually a powerful grimoire. They forge a contract with each other, bestowing Kurou with powerful magic. Soon afterwards, Al also activates Demonbane, a deus machina owned by the Hadou Financial Group, to combat the mechanical menace from the Black Lodge. With this, the war between the Hadou Financial Group and the Black Lodge begins. Setting Demonbane takes place primarily in a region resembling the common to several of the Mythos stories, including and. The majority of the plot is confined to Arkham City, the home and headquarters of the Hadou Financial Group as well as the location of the.
Arkham City is also the territory of a known as the Black Lodge, which has access to an array of giant mecha as well as a number of powerful that make it difficult for law enforcement to effectively combat. A separate portion of the story is set in the coastal town of and one of the climactic battles takes place over the sunken city of. The town of is also referenced. Characters. Main article: The player assumes the role of Kurou Daijūji, a that specializes in strange and unusual cases. Kurou used to attend the Miskatonic University, majoring in while secretly studying sorcery, but dropped out after an unspecified incident that has caused him to become averse to dealing with occult matters.
He has difficulty finding any work and, by the time the events of the story occur, can no longer afford to pay his utility bills. Kurou does have a good heart and tries to help others, usually explaining that he would be bothered by lingering regrets if anything bad happened that could have been prevented by his intervention. Kurou often approaches Sister Leica, a who runs a church and orphanage in Arkham City, for food. She is very kindhearted and rarely refuses to help Kurou in his times of need but cares deeply about his well-being, constantly pressuring him to go back to his studies, graduate, and find a real job. She takes care of three orphans named George, Colin, and Alison.
Ruri Hadou, another of Demonbane's heroines, is Kurou's employer and shoulders a heavy burden as the leader of the Hadou Financial Group following the death of her grandfather. Although outwardly resentful of Kurou for 'stealing' her grandfather's legacy, she is also frustrated by her inability to influence the ongoing conflict personally and comes to depend on Kurou's strength. Demonbane's final main character is Al-Azif, the physical embodiment of the legendary. Over the millennia, she has fought countless battles alongside countless masters.
When one died she would simply discard them and find another, and inwardly feels deep regret for the way she treated them as mere tools even as they did the same to her. She is very short-tempered and arrogant but holds absolute confidence in her ability to confront and destroy evil. This article's plot summary may be.
Please by removing unnecessary details and making it more concise. (March 2013) In the space above, the Deus Machina Aeon clashes with another unknown machine but due to its lack of a 'master' it is defeated and crashes on the surface of the planet. Meanwhile, a starving Kurou Daijūji attempts to acquire food from a local church run by Sister Leica, a nun that he has known since he first moved to the city several years prior to the events of the story. The next day, Kurou is approached by Ruri Hadou, the current head of the Hadou Financial Group and her, Winfield. Ruri offers Kurou a job, citing his familiarity with the occult through his studies at the Miskatonic University: to procure a. Unable to refuse the generous pay she is offering, Kurou agrees and begins searching immediately.
The search for an authentic grimoire is fruitless, until Kurou happens upon a previously unknown bookstore with several powerful books. Unfortunately he is turned away by the store's owner, Nya, who cryptically states that a far more powerful grimoire is meant for him. This prediction is later proven true when a mysterious girl falls out of the sky onto him, subsequently introduced as Al-Azif, the physical manifestation of the, one of the most powerful grimoires in existence. Kurou is then attacked by her pursuers, the Black Lodge, under the command of the Doctor West and forced by circumstances to enter into a contract with the grimoire.
Doctor West retreats, only to return in one of his giant Destroyer Robots. Kurou escapes with the aid of Metatron, a masked hero that wages a one-man war against the Black Lodge, and stumbles upon an underground hangar containing an imitation Deus Machina, Demonbane.
After the mech amidst the protests of its owner, Ruri, Kurou and Al-Azif (or Al, for short) are able to defeat the Destroyer Robot. Although initially incensed at the prospect of someone outside the Hadou family piloting Demonbane, Ruri agrees to employ Kurou as the Deus Machina's pilot. Al wants to begin instructing him in the use of sorcery immediately, but before he has a chance to prepare, Kurou is attacked by the leader of the Black Lodge, Master Therion. Kurou is immediately overpowered but his use of Demonbane forces Therion to reveal his own grimoire: the, also known as Etheldreda.
Therion spares Kurou's life, claiming that Kurou is the only individual who can alleviate his boredom, and vanishes. Kurou then begins training in sorcery while simultaneously searching for and recapturing pages that Al has lost. These pages eventually take on a life of their own and threaten the population, forcing him to subdue them physically before Al can reconstitute herself. Kurou's interference in the Black Lodge's operations causes Master Therion to send two of his elite Anticross sorcerers, Titus and Tiberius, to attack the Hadou headquarters directly. Doctor West also repeatedly attempts to make up for his failure to capture the Necronomicon, assisted by a self-aware of his own creation named Elsa.
In one incident, West and Elsa are able to steal the pages relating to the Scimitar of and use them to create a copy of Demonbane that is subsequently defeated. The story then moves to the coastal town of Innsmouth where Ruri has brought Kurou, Al, the Demonbane support team, and Leica on a. Sensing the presence of evil on an island off the coast, Kurou and Al begin investigating, accompanied by the rest of the group. On the way they are attacked by and separated but each of the group is able to make their way to the island individually where they discover the inhabitants of Innsmouth, all Deep Ones themselves, performing a ritual to revive their god,.
Overseeing them is another of the Anticross, Vespasianus, along with another powerful grimoire, the R'lyeh Text. The ritual fails but Dagon is revived in an incomplete, bestial state. The monster is only defeated when Demonbane channels the raw power of the, which nearly kills Kurou. Kurou is later able to acquire Al's pages concerning another Great Old One, and obtains a pair of that serve as conduits for their power from a mysterious individual known to the Black Lodge as the Tyrant.
In the meantime, it is revealed that both the Necronomicon and the Tyrant are essential to a major Black Lodge undertaking, the C Project, but Master Therion appears unconcerned by the fact that his underlings have had no success in capturing either of them. He placates the Anticross by explaining that he can use the Pnakotic Manuscripts in place of the Necronomicon and himself in place of the Tyrant but they remain unconvinced and plot behind his back. Finally, when the stars are right, the Black Lodge begins a ritual that raises their secret headquarters, the Illusionary Heart Mother, into the sky. They then reveal their full plan, using the R'lyeh Text to summon and bind another of the Great Old Ones:. Using an army of Destroyer Robots and the wave of insanity that accompanies the summoning, the Black Lodge lays waste to Arkham City. The Anticross betray Master Therion at the climax of the battle, seemingly destroying him along with Etheldreda, while Doctor West defects, disgusted by the perceived misuse of his technology. While Demonbane is able to drive off the Destroyer Robots, the Illusionary Heart Mother is able to teleport away, the Anticross having gained control over Cthulhu through a series of emergency measures.
The Hadou Group is able to locate the missing fortress at and mobilises a multinational taskforce through its connections to begin an attack. While they engage Cthulhu's forces in the sea, Demonbane is able to penetrate the fortress' defences and defeat the remaining Anticross. Master Therion then reveals himself, reborn as a result of his unique parentage; his father is the and the true purpose of the C Project was to sacrifice Cthulhu as the catalyst of a ritual to summon it. Yog-Sothoth, the Gate and the Key, would then act as a portal through which the Outer Gods could then invade the physical universe. Therion challenges Kurou to follow him through the gate and, after saying his goodbyes, Kurou accepts. Demonbane then battles Therion's Deus Machina, Liber Legis, throughout time and space leading to a clash between the most powerful weapon in each mech's possession: the Shining Trapezohedron.
Liber Legis is defeated but Al is finally able to access the totality of her sealed knowledge and discovers the identity of the one who orchestrated all of the story's events: Nya, also known as the Outer God. Kurou and Al battle the god and defeat it, preventing the destruction of reality. Nyarlathotep acknowledges its defeat but points out that it can always return with another scheme, leaving Demonbane becalmed in time and space.
Adaptations Kishin Houkou Demonbane OVA A one episode OVA bundled with the PS2 Game Kishin Houkou Demonbane, it was released on July 1, 2004. Plot Lily Bridge, a young journalist, arrives at Arkham City, hoping to find a big scoop. However, with all the strange things occurring around the city, only the exceptional findings are news-worthy, such as the mysterious mecha known as Demonbane. However, upon finding a small piece of machinery that seemed to be connected with the Hadou Combine, Lily is determined to find the truth. Little does she know, she enters into a dark world, involving herself with Demonbane and the powerful forces that control the city. Kishin Houkou Demonbane anime television series Kishin Houkou Demonbane TV is an animated adaptation of Kishin Houkou Demonbane for the PS2, which began airing on May 18, 2006, and ended on August 17, 2006. The characters showcased in the TV series differ slightly from those in the PS2 Game.
For example; Metatron has a few seconds of screentime in the first few episodes then never shows up again, Sandalphon is never seen, Ryuuga is seen only in the ending sequence, and Dagon's design was changed entirely. Plot Kuro Daijuuji is a poor detective living in Arkham City. One day, he is asked by Ruri Hado of Hado Financial Group, to search for a magic. As Kuro searches for the book, he unexpectedly runs into Al Azif, a pretty girl who turns out to be the grimoire Kuro is searching for. While being chased by the Black Lodge, Al forges a contract with Kuro, bestowing him with powerful magic.
Soon afterwards, Al also activates Demonbane, a Deus Machina owned by the Hado Financial Group, to combat the mechanical menace from the Black Lodge. With this, the war between the Hado Financial Group and the Black Lodge begins.
Ending The ending of the Demonbane anime series is original, made up for the TV series. It at first takes after Al's good ending, but instead of having her drift through space for aeons, it has the Elder Gods Kurou and Al-Azif (from Al's true ending) rescue her and bring her right back to Arkham, and Kurou's waiting arms. Episodes # English Title Original airdate 01 I AM PROVIDENCE May 18, 2006 Daijūji Kurou is a broke detective who is unexpectedly hired by a woman from the city's most respected leaders. He's asked to search for a powerful grimoire and is paid handsomely for taking the case. In searching for the magical item(a book) he stumbles into a strange bookstore, where the mysterious proprietor predicts that his future will change dramatically.
He stumbles out onto the street where a lovely young girl falls from the sky and directly into his lap. He has no time to react as she is being chased by villains known as the Black Lodge, intent on killing and claiming her true form. Kurou witnesses her use magic and save his life from the bullets fired towards his car. When a crazy-psychotic doctor begins firing with heavy weaponry, Kurou is able to speed away in his car, taking the strange girl with him.
The doctor discovers them just as the young girl decides to turn the tables.
September 2011 - Bondage Video Discussion Forum Archive September 2011 Name: Badger Ralphus: Wow. Congratulations on your stirring of the beast. I am certainly willing to plead guilty to not complimenting John Galt and others who take the time and effort to post the excellent reviews.
At the same time, when I read many of comments on other websites, it only increases my appreciation of The GIMP. Let's face it, some of those places seem to attract semi-literate and often scary commenters. I fully understand how frustrating it must be to see the number of hits relative to the number of contributors, but it is hard for me to get too upset when I consider how unique our forum really is with respect to the respect that we have for the artists and the level of intelligence and thoughtfulness that is expressed by contributors. That said, welcome Nia. If there are more former lurkers out there like Nia, please step forward.
Like Ralphus and Canadian, I love to hear the perspectives of our female contributors. Jane: Your posts continue to be a joy to read - and a real turn on. Your mix of comments, updates, and self-aware personal observations (oh, and did I mention your beauty?) are perfect examples of what makes this a special place. Thursday, September 1st 2011 - 12:15:30 AM Name: MrAnthony E-mail address: Homepage URL: Note that the criminal prosecution is occuring in Canada and not the U.S. Just about anyone from Canada who has ever tried to order a risque video from the U.S. Knows how tough Canadian Customs is about pornography in general. They confiscate videos all the time.
This wouldn't be anything new for them. See the link above, for example.
Most of us know better than to take pornography outside the U.S. Imagine bringing a ZFX video to Saudi Arabia, for example.(hmm, sounds like a plotline for ZFX, using female video smugglers). BTW, manga are Japanese comics; anime is animation. They could depict the same thing (e.g. The comic book version of the anime video would be Manga). An actual person would have to be depicted; a cartoon or comic depicting young-looking sexual characters wouldn't be enough for a child pornography case per se, although I do know of prosecutions involving computer generated imagery that was photorealistic.
However, the issue of obscenity is a different matter. It's entirely possible that some manga could not pass the three-prong Miller test and thus would be deemed obscene. A lot would depend on the locale; most likely local standards in California would let anime/manga be fine. However, other locales might find tentacle rape of apparent underage cartoon characters to be obscene, for example. Anthony Thursday, September 1st 2011 - 12:29:21 AM Name: Falstaff Mwb: Your connection with the old Insex people must have given you many tales to tell.
Given your connection, can you tell me if 912 is still active on any site and is she still with PD - given her involvement with the site, it seemed she was definitely more than just one of the models. Any information would be appreciated. Thursday, September 1st 2011 - 03:44:34 AM Name: Mwb Falstaff, I'm afraid 912 isn't doing anything as far as I know. She and PD were an item at one time. No idea why they split up.
Here is a tidbit. She called PD and asked how much it would cost HER to model for him!!!
The rest, as they say, is history:) Thursday, September 1st 2011 - 04:57:05 AM Name: Insomniac OK I want to give my two cents on the Ralphus rant. You said Brian's page gets more posts, but what needs to be taken into account there is that those guys jump all over any little thing with bondage. I don't know about everyone else here, but for me most of what they post over there isn't worthy of discussion. So I guess what you have to ask yourself is, do you want quantity or quality on this board?
If this site started getting flooded with posts about stuff that hardly even qualified as GIMP material, I'd be on here a lot less because it'd be too much to muddle through. If you want quality then you'll have to accept that there will be fewer posts. This topic is just too taboo for us to have enough source material for 20 good posts a day.
And I'd rather not keep having the same discussions over the same material. I use this site to learn about the latest stuff out, not double back on stuff that's years and years old and that most of us should have heard about by now. And Ralphus, if the site is getting 1200 hits a day, that should tell you that you're not wasting your time. In my opinion, the future of this site shouldn't even come into question as long as the traffic is up. If/when the traffic starts to dip, that's when you should really be concerned.
Until then, the posts will come, we just need some good stuff to talk about! Anyway, I'm not trying to rile things up here so I hope I don't get too many angry responses. It's just my take. Thursday, September 1st 2011 - 05:44:52 AM Name: Insomniac Homepage URL: I'm not sure if this has been discussed, but if it hasn't, another mainstream film to look out for is Hostel: Part III, which is due to be released straight to DVD sometime before the end of the year, probably around Halloween. It has been rated R for strong bloody sadistic violence and torture, sexuality/nudity and pervasive language. Considering how great Hostel: Part II was, this one certainly has potential. However there's already one red flag.
'The story concerns a Vegas bachelor party that turns grisly, Hostel-style' according to. Bachelor party.all guys.please no. But we'll see I guess. Thursday, September 1st 2011 - 06:00:48 AM Name: Sloth Insomniac - there may be another red flag on 'Hostel III' - direct to video - of course that's a double edged sword so you're right, we will wait and see - thanks for the heads up. Ralphus - and now that you have been tasked by Nia and realize your mission is to continue doing God's work we can all chime in with an 'Amen'.
Covers - just wanted to mention how much I have enjoyed the witch themed paperbacks you have featured the last few days. Nia - I'll just say ditto to what A Canadian, YikYakker and the others have said - I think you'll find this is a rather accommodating bunch of sick twisted perverts. YikYakker - speaking of our friend Brutus - have you heard from him - he seems to have taken an extended hiatus and I miss his input. 5:00 minutes. The gag is removed.
Her hair is used to reposition her so she can suck his cock as he reclines on the bed. 7:30 minutes. He lays her back on the bed, hikes up her knees again and fucks her again. As you can see in the vidcaps below, Alicia is very expressive and really makes it look like he has painfully forced himself inside her.
But then he spoils it by asking her if he's inside her and she nods yes. Aside from that gaffe, though, Alicia is actually quite good and convincing that she is being raped. (Notice how the camera wanders too high in that last shot? More on that later.). 9:00 minutes. Back to sucking his cock. 11:30 minutes.
Cleave gag goes back in. He pulls her to the edge of the bed, grabs her under the knees and fucks her again.
13:00 minutes. Pulls her up, removes her gag, and has her suck him off until he comes in her mouth (or so he says). She swallows, he slaps her and binds her back into a very loose hogtie. She struggles. 15:30 minutes. Ball gag goes into her mouth. 16:00 minutes.
He applies a vibrator to her pussy while he also fondles, pinches, sucks, bites and slaps her breasts and nipples. 17:30 minutes. Unties her ankles, spreads her legs and vibes her to three orgasms over the next 3-1/2 minutes. 20:50 minutes. More cock sucking.
22:00 minutes. Alicia tries to flee but basically just flops onto the bed. She is gagged and hogtied again.
When he tries to pass the rope around her throat she tells him not to, so he doesn't. The camera does a brief tour of the ceiling. The scene ends with him putting a bag over her head, which she doesn't like. SUMMARY: Blond Alicia is bound, gagged, manhandled, slapped, fucked and made to suck cock until her assailant comes in her mouth. Redheaded Delila Darling is manhandled, bound, slapped, gagged, forced to suck cock and fucked until her assailant comes inside her. Alicia is almost naked the whole time. Delila wears her clothes the entire time, but her shirt is opened to reveal her breasts and her skirt is pushed up to reveal her pussy.
Aside from the attractive models, this DVD is spectacularly disappointing. I could have simplified my review by saying: gag model, fuck pussy, ungag model, suck cock, then repeat, repeat, and finally repeat. Both Alicia and Delila made some great rape victim faces and noises, but sadly they could not overcome the lack of any coherent script, or the absence of any sense of threat or peril from their assailant. This may be rougher than the standard Hardcore Abduction fare, but the bar wasnt very high to begin with. If I were expecting a rough assault-and-rape video, this would not fulfill my expectations. What makes it worse is that both Alicia and Delila are hot and sexy and would look incredible being roughly raped and abused.both of them demonstrated the talent to look and sound like rape victims. From a technical aspect, the videographer could have used a lot more skill.
The camera went wild several times, and all too often the action was not properly framed. Many shots were too close, so you could see faces and expressions or genitals and action (what of it there was), but never both. Sometimes you got a nice view of the sheets or the headboard with a random body part in one of the corners. I will give credit for not showing a lot of the guy, which I absolutely did not want to see, but frequently I didn't get great views of the girls, either. The lighting was excellent, though. Bottom line: If you like the looks of Alicia, she is naked and 'raped' in her episode, so that is worthwhile.
If you like Delila, she is exposed (but not naked) and 'raped' in her episode, so that is kind of worthwhile. If you are looking for a believable rape scenario, where the rapist has some idea about what kinds of nasty things he wants to do to his helpless victims and uses harsh force to make them comply, it is a bust. Need I mention that although neither girl is completely naked (although Alicia is close enough), our rapist is? What is up with that? And does Delila Darling not want to get naked for Hardcore Abductions, or does the site not want to show her naked?
I'm beginning to think it is a conspiracy. There was nudity, forced fellatio and nonconsensual fucking, so I will grant this a C grade. It could have been so much more. This DVD is available for $40 from. I could not get two of my workstations to recognize the DVD (!), but it played just fine on a third workstation and in my DVD player. Thursday, September 1st 2011 - 08:00:37 PM Name: covers Homepage URL: Carnyx: That does not sound like a mainstream American comic book from the '70's.
Do you remember the format or size? What language was it written in? Where did you buy/find the publication?
Was the story in Black and White or color? Do remember any of the characters' names? Did you actually see the nipples on the topless women? Was the text in word balloons or in paragraphs under the pictures? Carnyx wrote: hi everyone- here is the first one. It might be the best comic book whipping i have ever seen.
I found it in late 1975. I think it was to cash in on the charlies angels craze. There was this elite group of scantily clad women crime fighters. One of them went undercover in some criminal organization. She was revealed to be a spy by this crooked black detective who was working for the group. They then cut to a scene where the spy is being whipped topless by a crazy topless woman who is getting her pleasure from this.
She has an ugly birthmark on her face and she keeps telling the girl to beg for mercy which she refuses to do. She is finally rescued by a crime fighter with a russian accent.
The crazy woman tells her she'll make her beg for meercy too, but the russian tells her she is a very sick woman. Please let me see this scene again before i die! Thank you everyone. Robert Thursday, September 1st 2011 - 11:02:18 PM Name: midgeteskimo E-mail address: Homepage URL: So I too am a lurker, and have been for a couple of weeks. I keep thinking I should post but like Nia I don't always feel like I have something to contribute. So I racked my mind and thought of a website I have occasionally visited that some of you, especially those who like whipping, might find interesting.
Some of you probably already are aware of it, but I figure any post is better than no post. The website is elitepain.com. Lots of really intense whipping scenes with blood and crying. Hope that someone who reads this finds a site that they hadn't seen before, and really likes.
Friday, September 2nd 2011 - 12:02:31 AM Name: Distressed Damsel.she delurks briefly. I've lurked on these pages for quite some time now. A few months ago, I emailed Ralphus in regards to the subject of bondage in Second Life, along with a few pictures of my exploits there. Since bondage IRL is completely inconvenient with teenagers around the house and work to go to, I've indulged my fantasies more that I ever could in real life, even to the point being collared by my online master in a very beautiful ceremony.
Since discovering this interactivity, my interest in movies has diminished significantly. As a little girl, I remember making my mother buy many boxes of cereal so I could get the pink Penelope Pitstop car. I so wanted to be her, though at the time I didn't know why. How many of us were fascinated by that wicked cartoon, hmmm? In Second Life, when the 'Hooded Claw' captures me, he can do so much more than tie me up and put me into a wicked death trap (though he can do that too!). Perhaps I'm just delurking and trying to start a conversation on this perhaps, and just wanting this site to continue as well.
One of the reasons I've never really posted before is, the site is mostly male, and the women that do post seem to be involved in the business side of things. Ok, enough rambling for me (. And she quickly runs and hides again).
Friday, September 2nd 2011 - 05:10:29 AM Name: A Canadian John Galt: Nice job on the review of Roughies Vol #1. I think your review confirms the importance of the written word, because if I were to judge the movie solely from the caps, I would think it looks pretty good (except for the rapist who decides to bare all). You really need the written details to confirm how it all plays out, particularly the fact there's no sense of threat or peril. Too bad, because Alicia looks quite hot.
Anthony wrote: Just about anyone from Canada who has ever tried to order a risque video from the U.S. Knows how tough Canadian Customs is about pornography in general. They confiscate videos all the time. Ain't that the truth. Last year, I sent some GIMP stuff to our friend, Ralphus. I don't think I'm betraying any confidences when I tell you Ralphus was amazed at how nervous I am sending stuff across the border. I guess it's not an issue when you have material going from Canada to the U.S., but Canadians develop a general nervousness about the border.
The good news for those of us in Canada is that it is easier these days to bypass Canada Customs. More GIMP material is being sold within the country and, of course, there's plenty of material available online. Still, it can be frustrating at times. Friday, September 2nd 2011 - 09:27:14 AM Name: Sloth Homepage URL: Time for a quick chime in before I hit the road. John Galt - ditto A Canadian's comments - based on the caps you provided that one is a buy - thanks for the info.
At the above link a humble contribution to our Whippings Scenes database - not bad at all for a tv production. Stay well all Friday, September 2nd 2011 - 09:42:34 AM Name: Thawkinsworth E-mail address: Today's hits the spot. They've already got her pleading, and haven't even started with the heavy stuff!
Friday, September 2nd 2011 - 12:23:07 PM Name: Mwb DHT, I'll spread this out a little:) After I moved into this place, I found myself looking for ways to get rid of 'stuff'. I had boxes of old mags and paperbacks. Made mention of it on insex and PD and I got together and he said he would take them. Well, in the drive comes this big black van. Out hops PD and 912 and ScotT. I found him ok. He wasn't nasty or mean.
Every day guy. 912 was nervous and got the giggles. She is cuter than her pictures!!! That is how I met PD the first time. Mwb Friday, September 2nd 2011 - 12:50:23 PM Name: Badger Psst: Hey guys. While Distressed Damsel is out of the room, we need to come up with some devious trick to get her to de-lurk again. Midgeteskimo: Welcome!
I bet that YOU can see Russia from YOUR porch. Or at least you could if you were taller. Perhaps we can set you up with Ralphus. So the three of you want us to keep telling you how much we enjoy hearing from women.
We'll do what it takes. But watch out with the teasing. You can imagine what we do to teases. Just imagine.
Friday, September 2nd 2011 - 01:39:59 PM Name: Bill K.
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